

On Decemat the Campbell Hotel in Atlanta, the group did four songs for Columbia: "I'm on My Way Down Home," "Diddle-Da-Diddle," "She Looks so Good," and "She's Comin' Back Some Cold Rainy Day." The group that day consisted of Barbecue Bob and Curley Weaver on guitars and Moss on harmonica. It was Weaver and Hicks who got him his first recording date at the age of 16, as a member of their group the Georgia Cotton Pickers. "I just kept hearing people, so I listen and I listen, and listen, and it finally come to me."īy the time he arrived in Atlanta, he was good enough to be noticed by Curley Weaver and Robert "Barbecue Bob" Hicks, who began working with the younger Moss. "Nobody was my influence," he told Robert Springer of his harmonica playing, in a 1975 interview. By 1928, he was busking around the streets of Atlanta.

He began teaching himself the harmonica at a very early age, and he played at local parties around Augusta, where the family moved when he was four and remained for the next ten years. There is some disagreement about his date of birth, some sources indicating 1906 and many others a more recent vintage, 1914.

Although his career was halted in 1935 by a six-year jail term, and then by the Second World War, he lived long enough to be rediscovered in the '60s, when he revealed a talent undamaged by time or adversity.Įugene “Buddy” Moss was one of 12 children born to a sharecropper in Jewel, a town in Warren County, Georgia, midway between Atlanta and Augusta. A guitarist of uncommon skill and dexterity, he was a musical disciple of Blind Blake, and may well have served as an influence on Piedmont-style guitarist Blind Boy Fuller. A younger contemporary of Blind Willie McTell and Curley Weaver, Moss was part of a near-legendary coterie of Atlanta bluesmen, and one of the few of his era lucky enough to work into the blues revival of the '60s and '70s. Buddy Moss was, in the estimation of many blues scholars, the most influential East Coast blues guitarist to record in the period between Blind Blake's final sessions in 1932 and Blind Boy Fuller's debut in 1935.
